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        Yrjo Kukkapuro

        庫卡波羅教授在很早以前就已是公司的首席設計師。
        他的設計反映出他對古典及現代建筑空間及其功能的感知和理解。家具設計是對建筑的補充,它應被整合進建筑空間而又不應凌駕于建筑之上。阿旺特和庫卡波羅教授總是和建筑師緊密合作,盡管他的許多作品在最初是針對某一環境設計、測試并制造,但這些作品的大部分被證明適用于其他相類似的工程項目。這也許要歸因于產品的普遍通用性,它們很少體現一種特別風格或時代特征。
        一些產品也會被制造成不同版本以適應許多公共建筑。庫卡波羅師從伊爾瑪利·塔比瓦拉和奧利·伯格,他們教會他功能主義的實踐意義,年輕的庫卡波羅也非常遵從于他們的學識和達觀。后來他成為赫爾辛基藝術設計大學的校長和教授,在教學中,他繼續思考和表達他的功能主義思想。他的表現形式基于簡潔明了的風格,著重于考慮材料本身的自然外觀和特性。這些設計工作的成果是如此完美的整體,因為它們所表現的功能性正是它們的核心。這恰恰符合庫卡波羅關于避免設計中多余的擬人化表現和夸張表現的觀點。
        庫卡波羅教授是北歐當代最著名的設計大師之一,在國際設計界享有崇高聲譽,曾獲國際、國內20余項設計大獎。他是第一個將人體工學引入椅子設計的設計師,作品卡路賽利椅(Karuselli)更以舒適的功能而被聯合國產品管理組織評定為「20世紀最重要的99件設計」之一。庫卡波羅的設計風格一直被譽為簡潔、洗練、秀美、架構暴露,沒有多余的裝飾,這種風格成了當代北歐簡約主義設計的典范。


        Professor Kukkapuro has been the company's principal designer from the very beginning.
        His designs reflect an awareness of space and its function, be it the space of classical or modern buildings. Furniture has been designed by making it complement the architecture of the building, by making it assimilate with the space without dominating it. Avarte and Kukkapuro often work in close co-operation with architects. Even though many products have originally been designed, tested and manufactured for a certain environment, many of them have proven appropriate for other corresponding projects. This may result from the universality of the products and the fact that they seldom point to any specific style or era.
        Some products have also been manufactured in different versions suitable for many public facilities. Kukkapuro studied under Ilmari Tapiovaara and Olli Borg who taught him the practical meaning of functionalism, and young Kukkapuro greatly respected their wisdom and philosophy. Later he became the principal and professor of the University of Industrial Arts, and in his teaching he continued and expressed his functional thinking. His form language is based on a simple, clear and often imposing functionality which takes into account materials and their natural formal aspects as well. The outcomes of the design work are perfect wholes precisely because functionality in all its manifestations is their core. This is appropriate for Kukkapuro who wishes to avoid excessive personification and who does not want to present hyperbolic views about design, either.

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